Archive for ◊ June, 2009 ◊

• Thursday, June 25th, 2009

This June ends my twenty-first year studying ninjutsu. I wanted to take this chance to say thank you to the teacher’s that have and continue to help me on this journey. Thank you all!

My Teacher Mark Davis

My teacher Mark Davis, owner of The Boston Martial Arts Center, is one of the most formidable martial artists I have ever met. It is not however his amazing skill, incredible martial arts knowledge, or his somewhat intimidating physical size that stands out most about Mark. It is his heart. Webster’s dictionary defines the adjective “patient” as calmly tolerating delay and confusion. I can never repay the debt I owe Mark for the infinite patience he has held in his heart while I worked through my confusion over the years. I have learned more from him then anyone else in my life.

Stephen K Hayes

Stephen K. Hayes. Without Stephen Hayes we would most likely never have been introduced to the wonder of ninjutsu. He is the proverbial adventurer who brought back the hidden treasures of the East. Mr. Hayes is among other things an actor, author, ordained Buddhist priest, security expert (protected the Dali Lama), teacher, founder of To Shin Do martial system, husband and father. His accomplishments could fill the biographies of five lifetimes. Yet he is one of the most humble, honest and giving people I have ever had the privilege of knowing. It was he who blazed the path that the rest of us have followed.

Dr. Hatsumi

Dr. Hatsumi

Dr. Masaaki Hatsumi is the head of the Bujinkan Dojo and the source of all our knowledge. He is the link between over a millennia of martial tradition and the current generation of practitioners. The immensity of having been able to meet and train with this man is hard to put into words. It would be like having studied the theory of relativity with Albert Einstein or studying meditation and spirituality with the Dali Lama. We are eternally indebted to him for sharing his arts with the world.

• Friday, June 19th, 2009

Channel 5 the ABC affiliate in Boston did a piece on LIVE: Lessons In Violence Evasion recently. If you would like to see the clip just click here!

Category: Events, Teaching  | One Comment
• Thursday, June 18th, 2009

I was speaking to another instructor about the relationship of taijutsu and physics. Their comment was, “of course we know it really is just physics but that really has nothing to do with learning how to do it, or enjoying it.”

I’m not sure everyone knows it really is just physics, if they did, they wouldn’t muscle or force techniques.

I have found that when someone discovers the physics behind how our art works it feels like magic to them. That doesn’t mean we break out a compass and protractor in the middle of class or make reference to Pythagorean’s theorem (although I have on occasion, it explains why water angling works). But discovering and understanding these ideas give them a sense of power greater than brute force. The only thing we can keep improving is our understanding because time makes sure we won’t always be the strongest in a fight.

I recently watched a video of the Dalai Lama talk about how Buddhism is a study of cause and effect.

Asking “why” something happens is the basis of how we learn. If I don’t know why something works even though I can do it, how am I supposed to fulfill my obligation as a teacher and pass this information on? I can’t just tell them to do what I do. What if they aren’t my size or haven’t had my experiences? One of the recent black belt trainings in Ohio was all about this idea, examining cause and effect to discover the underlying principles (physics).

The other instructor replied, “You just have the student experience it over and over until they get it. You don’t have to have them understand the physics behind it.”

My question for him was, what if you are doing it wrong?

I used to throw a punch a certain way and I practiced a lot. I was good at it but it was wrong. I left myself open every time I did it. My teacher gave me a geometry lesson regarding lines of attack (and unfortunately points of impact) that changed my understanding.

There’s a very funny website (if your humor runs like mine to the less than subtle) called Despair.com They make fun of motivational posters with demotivational posters and one of my favorites that I have in my (private) training dojo is one about doing things without thinking. You can see it here:

I understand why you wouldn’t want to be thinking about blocks and levers as you are grappling with someone but understanding the physics behind them can make that arm bar a lot easier. Just like knowing that the highest levels of science today seem to be agreeing with ancient concepts of thought and matter can make it easier to accept the amazing results you may achieve practicing our mind sciences.

My opinion, ask “Why?”

Dennis
Shinobi Martial Arts
95 Plaistow Road, Plaistow NH

• Thursday, June 11th, 2009

From my perspective many martial artists have separated body, mind, and spirit into separate functions requiring these labels and often times mistranslating from the original Japanese terms.

For example Kamae, many people translate as ’stance’, making it seem very physical and static. The way it was taught to me was that it was the coordination of body, mind and spirit for that moment. What I felt and thought in that moment would determine my physical response and reality. This is very different from ’stance’.

The often misunderstood Go Dai no Kata Mr. Hayes created to help us in the West understand the concept of body, mind and spirit working together, I feel is the basis of both the Marishi Kai program and To Shin Do. Earth, water, fire, wind and the void (great potential) were and are today coded examples of how to win a conflict based on your emotional response at that moment to a problem.

It is to me one of the greatest selling points of our art. We can’t know how someone is going to feel under pressure so we take the base emotions (and thoughts that go along with them) and show them how to win from each of them. These are like the primary colors to an artist or the notes on the scale for a musician. They represent the most basic tools needed to form an appropriate answer in a conflict situation.

We have a martial art, that takes into account what you are thinking and feeling in any moment and recognizes the fact that it could change instantly.

This is not an art of doing the same thing over and over but of understanding how your thoughts, emotions and actions mix with those of your attacker to bring you out safely.

Dennis
Shinobi Martial Arts
95 Plaistow Road, Plaistow NH

• Thursday, June 04th, 2009

We had another new student question why we train with ancient weapons. They felt it was very unlikely that they would run into anyone with a Japanese sword. I can understand a new person’s perspective believing they may not see these weapons in a fight but that’s why we call them ‘new’, they lack the experience. Weapons are a part of our society so we need to deal with them.

The problem is in labeling. If you call something a ‘classical weapon’ does that mean you won’t ever see it in a fight? If you Google Japanese sword attacks you will see the answer to that is obviously no. If you are practicing sword fighting does that mean you can’t kick? A can of fruit cocktail can get the same effect as a shuriken and did in one story I read online.

People tell me that they are ground fighters and you need to learn to fight there as if it is somehow different than standing. So I play with them and pull out a training knife and see how they deal with it.

A friend asked me as I was walking into his karate studio how a ninja would deal with nunchaku. I threw the change in my pocket into his face and took them away as I walked to the changing room.

There are knifes in your kitchen, sticks and ropes in your garage, rocks on the ground and cans of fruit cocktail on the shelves. I learned from my teacher Mark Davis and Mr. Hayes to think of weapons in categories: sticks, blades, flexibles, projectiles, and combinations. Any and all can be found in some form at any moment including on your body.

There is no such thing as a knife fight or a ground fight or an unarmed fight if you are talking about self-defense and not sport. There is just a fight and weapons are part of that fight. We are fortunate that our art has the ability to teach us how to deal with this.

So when someone new questions why they are studying ‘classical’ weapons, they may just need the simple answer, because it’s part of our art that teaches you how to survive.

Dennis
Shinobi Martial Arts
95 Plaistow Road, Plaistow NH